Thursday, May 23, 2019

Spotlight On Up and Coming Artistes - Enzy.


An up and coming Artiste, Tonia Ngozi Emeh, stage named ‘ENZY’, has something to say to Mr. King (Of Epoh Music) about herself.

Q: Hello, is good to have you today Tonia. Tell us about yourself.
AMy name is Tonia Ngozi Emeh, stage named 'Enzy'. I am a Nigerian precisely from Abia. I am a graduate of Linguistics from the University of Calabar (Great Malabress). I now live in Port Harcourt Rivers State Nigeria.

QVery well dear, so what kind of music do you do?
AI am a Gospel Artiste. I sing Christ, and hope to the hopeless. I am a messenger of goodwill and above all I sing love. Yes I sing Gospel and contemporary music. They come in form of slow Rock, Rhythm and Blues, Pop. Reggae…infact I touch all kinds of music.

QVery well, you said your stage name is “Enzy”, how did you come about that name?
AHmmmm, Enzy, whaooow, this name was coined from my two native names. The two names are ‘Ezinwanyi’ (which means 'A Good Woman'), given to me by my late maternal grandmother, and ‘Ngozi’ (which means 'Blessing'), given to me by my parents. The ‘E’ is from ‘Ezinwanyi’, while the ‘Nzy’ is from ‘Ngozi’; though instead of ‘I’, I changed it to ‘y’…please clap for me did I not try (laughing out loud).

Q: That is very lovely. So I can call you Enzy, that’s good. So Enzy, what inspires you as an artiste?
AMy inspiration comes from thinking of God’s goodness. Each time I ponder on how great and good He is, I receive inspirations for my songs. Another source of my inspiration comes from being in a serene environment, looking at God’s Handiwork. Infact my inspiration comes while I reflect on God’s goodness; His Beauty is overwhelming. My inspiration is centered on His Sweetness.

QOkay. So what has been your achievements so far as a Gospel artiste?
AIn this field now I've been able to receive inspiration of songs which have been recorded. I have been able to stand and Minister Blessings to Souls. My meeting and Ministering with great people like Waresman, (who happens to be my Producer), Benny Bliss too, also Nasa Praise, all to me have been achievements, because you don’t meet this people anyhow and soonest. I will be meeting and working with more people I have in mind too. Receiving calls from people, testifying of being blessed through my songs, to me also is an achievement, but all to the GLORY OF GOD, because it is only God that can heal people through mere listening to a song, and granting one Salvation through song Ministrations. I look out to more achievements through God’s mercy.

QVery well then. So how do you intend to promote your Gospel music to the whole wide World?
AI intend using the Internet as a tool to get across the masses. By the Internet, I mean social media: Instagram, Facebook, Whatsapp, Twitter, and other means which are in trend these days. It is obvious almost everybody make use of these avenues. I also intend using radio and television to move my music to the world. The Gospel must be preached, and Gospel music is a means to propagating the Gospel, so every possible means must be used.

QWow, good to hear of your ambitions Enzy. We wish you well in your endervour.
A: Thanks Mr. King.

>>> listen to Enzy's Gospel Single 'Imela' <<<

Friday, May 3, 2019

What's New? - April Release!

What's New - April Release!

Hey! We have just got something fresh for you. Over the past few months, we’ve been working on making the platform more user-friendly with a fresh look.

We’re excited to roll out our new simple and smart look.
Pick up that bottle of chilled drink let’s take you round the page and explore the new and amazing look.

Easy Access to the Navigation

We now have the drawer fixed for you! No need to click on the Hamburger to access the navigation menu. Everything is right in front of you. We have got the boring empty white space out. Isn’t that smart?


Fixed Search bar and Sign In Button


We don’t want to stress you clicking on the search button to have the search bar, type in whatever you want to search right away with just a single click. No need to look for the sign in button it’s right there in front of you.



Always Visible Player

we understand how easy you want to hit the play button to listen to your favorite album without having to scroll all the way. We have got the player menu fixed across all the pages feel free to take actions as you explore other albums without losing sight of the music control menu.


New album page feel

We now have a fresh look on the album page. You can explore other albums by the same artist while listening to another album. We also got rid of the big empty white spaces. Now, you can explore featured artist list down the tracklist in a very neat and arranged design.


More Player Controls In addition to the Design refresh, we have also added more player controls. You can now repeat and shuffle songs. We agree, this was long overdue and we are happy we finally made this available to you as part of this release.

In Summary
All these amazing updates just to keep the smile on your face while exploring the world of Nigerian music. Keep your fingers crossed as we roll out bigger and amazing features sooner than you can imagine.

What do you feel about the new look? Feel free to tell us via the comment section, your suggestion is warmly welcomed. Visit our site to experience it yourself.

We roll out updates regularly. Hit the subscribe button and follow us on social media to get notified.

Thursday, April 25, 2019

Nigerian Afro Fusion Hip Hop History

Nigerian Afro Fusion History:-

The idea that the voice of modern Nigeria would be a music genre, almost inextricably associated in the popular imagination with the mean streets of urban America, may appear understandably or somewhat absurd. But at the time of writing—halfway through the second decade of the 21st century—the most popular, most ubiquitous and most commercially successful sound the country has witnessed in fifty years or more, is Hip-Hop! 

But this state of affairs did not come to be overnight; hip-hop has traveled a long road to mainstream acceptance and proliferation: A journey that spans four decades of growing pains. Rap music and its attendant hip-hop culture, had been developing in various black and Latino neighborhoods in New York City since the early nineteen seventies but Nigeria (like most of the world outside of the Big Apple) only got its first taste of the new sensation in 1979, with “Rapper’s Delight.” The Sugar Hill Gang’s disco-driven dance anthem has since been recognized as the first major hip-hop record, the launching point of a genre that would come to mark a new epoch in popular music. At the time, though, it was mostly viewed as an ephemeral trend that for was fun and catchy enough to inspire knock-offs, take-offs and reply records from around the globe. Nigeria was not left out of the dialogue, getting its own answer to the rap craze in 1981 with “The Way I Feel Rap,” recorded by popular Lagos disc jockey Ronnie Ekundayo.

But over the next ten years, several more Nigerian artists would follow Ronnie’s lead in experimenting tentatively with the occasional novelty hip-hop track. The very act of “rapping” retained its strict identification with funk and disco rhythms and black American expressive style; as a result, Nigerian attempts at hip-hop tended to adhere to the accents and inflections of their US inspirations. But unlike the Americans MCs, who regaled in cleverly rhymed lyrics, witty wordplay, picturesque storytelling and vivid messages, Nigeria’s rap wannabes were not particularly concerned with communicating with the audience—they rapped for sound rather than content. Their verses were usually barely decipherable, composed of gibberish words and sounds that often didn’t even rhyme; so long as they approximated the gruff tone and staccato triplet cadence of the “old school” New York rap style, they were adjudged to be relatively successful.

All of this started to change as Nigerian rap entered its second decade. 1991 saw the introduction of a generation of Nigerian hip-hop artists who brought a new sense of localization to the style. “Which One You Dey?” by the trio Emphasis, “Monika” from the duo Junior & Pretty and the four-man Pretty Busy Boys:- “Big Belle” all eschewed the established practice of mimicking American accents, rhyming instead in the common West African patois of pidgin English, weaving humorous narratives about love and life from a contemporary Nigerian perspective with a relaxed, easy-to-understand lyrical flow. They also moved away from the reliance on recycled American funk rhythms, fitting their verses to musical accompaniment informed by afrobeat and highlife. (Junior & Pretty in particular underlined their redefinition of hip-hop away from the intrinsically American standard by frequently dressing in Hausa daishikis and Igbo chieftaincy tunics and compared their style of hip-hop to the staple foodstuff of Nigeria, dubbing it “Fufu Flavour.”)

But neither Junior & Pretty, nor Emphasis, and  The Pretty Busy Boys would remain on the scene for long, but their paradigm-shifting example would influence the development of a sui generis “Naija” hip-hop style for the rest of the decade. The nineteen nineties were marked by the emergence of acts such as Ruff, Rugged & Raw, The Remedies, The Trybesmen (hailed as “the Run-DMC of Africa”), androgynous female rapper Weird MC, and Plantashun Boiz (featuring vocalist 2Face Idibia, who would go on to become the genre’s biggest star). Ultimately, though, hip-hop remained a niche taste, not a pop genre with a broad-based appeal for Nigerians of all stripes.But by the early 2000s, most of the mainstream popular styles such as highlife, juju and reggae were in decline. Nigerians had taken to importing dance music from other points in Africa, such as the electrifying soukous of Congolese singer Awilo Longomba. There was also South African kwaito, which Nigerians were exposed to via the newly-available cable music network Channel O. The channel also featured Nigerian music clips, favouring mostly hip-hop acts whose tendency towards visual flamboyance—flashy fashions, inventive dances and a unique sense of swagger—made them natural video stars. Channel O and the other video channels that followed it did much to elevate hip-hop’s profile in Nigeria, and for a country desperately in need of an indigenous sound to call its own, hip-hop stepped up to fill the void for consensus pop genre.

Since then, there has been no stopping Naija hip-hop as its influence snakes across Africa and beyond. The Industry has sold millions of CDs and DVDs, and its artists command astronomical fees to endorse major brands, both domestic and international. The Nigerian hip-hop duo P-Square incites Beatlemania-style mass hysteria whether appearing in Lagos or Nairobi or Paris. 2Baba’s “African Queen” is a generational anthem among teens in the faraway Philippines. D’Banj collaborates with international superstar Kanye West. American R&B bad boy Chris Brown flaunts Naija dance moves he admits to cribbing from Wizkid. Naija hip-hop rivals the Nigerian movie industry Nollywood as the country’s most recognizable and effective cultural export. eLDee, BlackFace, StylPlus, Timaya, Faze, Banky W, Burna Boy, iLLBLiSS, Mode 9, DaGrin, Olamide, Ice Prince, MI, DJ Jimmy Jatt...)

But through all this, Naija hip-hop remains a lightning rod for furious criticism—particularly from commentators who came of age before the last millennium and view hip-hop as representing all that is creatively, morally and spiritually bankrupt about today’s Nigerian youth. No lesser pundit than Benson Idonije—the legendary dean of Nigerian music criticism— regularly attacks hip-hop with the intensity of a Zealot, decrying it as a show of cultural dereliction; a terminally shallow generation mindlessly aping a musically insignificant foreign fad. “Just now hip-hop is the contemporary thing—you find Nigerians imitating the American style,” Idonije grumbles. “We don’t have [an identity] in Nigeria because young Nigerians are looking up to America for their future.” Such declarations from the critics belie an unfortunate tone-deafness on their part, however: even the most perfunctory analysis of Nigerian hip-hop against its eponymous US counterpart attests that apart from their shared digital production aesthetic, they sound almost nothing alike. The fundamental rhythm at the root of Naija hip-hop is not funk but the timeless, lopsided clave of good old West African highlife. (The hip-hop scene in Ghana—where the music has developed in parallel—more directly underscores this lineage by labeling its music “hip-life.”)

So perhaps, Nigerian hip-hop’s greatest liability is its name, which perpetuates the perception that it is nothing more than a pale copy of American rap records. Attempts have been made to remedy this state of affairs, though. In the UK, where a vibrant club scene thrives around the sound, it is called afrobeats (the ‘s’ at the end doing little to ward off confusion with a different genre altogether), while back home some have taken to referring to it as Gbedu, or Naija beatz, or just Naija. But whatever you call it, there’s no denying that it’s a sound that has grabbed the soul of Nigerians, made them view their nationality as a source of pride and coolness… and gingered their swagger.

Friday, April 19, 2019

Spotlight On Up and Coming Artistes - Rukie.


An up and coming Artiste, Chidozie Nnamdi, stage named ‘RUKIE’, has something to say to Mr. King (Of Epoh Music) about himself.

Q: Hello, is good to have you today Chidozie. Tell us about yourself.
A: Good morning sir. My name is Nnamdi Chidozie a.k.a Rukie. I am a Nigerian songwriter and recording artiste from Abia State (South-East Nigeria); I’m 22 years of age. Brought up in Lagos State, I attended CMS grammar school where I did my early, and mid school education. I’m currently an undergraduate in a high institution in Abia State Nigeria.

Q: Very well, as you mentioned you are a music artiste, what kind of music do you do?
A: The genre my music evolves around, are mainly pop and hip-hop or what we call Afro pop, Afro fusion, and rap.

Q: Very well, you said your stage name is “Rukie” how did you come about that name?
A: Initially I went for ‘Dozy’, but when I started recording I changed my stage name to ‘AR’ which is an acronym for ‘Armed and Ready’. Then ‘Rukie’ came much later in a funny experience I had on Twitter; sometime in 2011, a schoolmate asked Don Jazzy for a follow back and because it was rare for celebrities to follow random people at the time, I replied the tweet with a comment: “If I hear”, but Don Jazzy followed my friend back on Twitter, and my schoolmate replied my tweet with: “Are you a learner?” And that was how everyone started making fun of me in school by calling me a “Rookie” which means “A learner”, but I flipped it to ‘Rukie’ instead, for it’s actually ironic because God has blessed me to be a fast learner at anything I put my heart into.

Q: Hahaha, that is very interesting. So I can call you Rukie, that’s good. So Rukie, what inspires you as an artiste?
A: I am mostly inspired by real life situations.

Q: Okay. So what have you done so far, what have you achieved as an up and coming artiste?
A: I have worked with 3 different record labels so far; and in my course of work, I have been opportune to meet some industry heavyweights like M.I, Falz the Bahdguy, Lynxx, and a host of others. I do play to them some of my music, and I do get good recommendations from some of them that hear my music. I’m presently working on putting out my first album which is already mixed and mastered by Spyrit Mix; this sophomore album is an extended play album containing 6 songs and 1 skit. The album features an appearance by Brainee, and a host of others.

Q: Very well then. So how, do you intend to promote this soon to be released album?
A: Well, I have spent a lot of time researching and following the music industry which makes it more viable for me to draw up a promotional plan; So I plan to promote this album via Social Media, and also shoot some videos on some of my tracks, and push them out also via media means, which includes social media. I’m still also in search of a good record management, which I would be willing to work together with any solid record label, or music firm to realize my dream ad take my music to greater heights.

Q: Wow, good to hear of your ambitions Mr. Rukie. We wish you well in your endervour.
A: Thanks Mr. King.

>>> listen to Rukie's New Single 'Mmaya Tonight' <<<

Friday, April 12, 2019

Music@YourFingerTips!!!


You can now CONNECT WITH US on ALL SOCIAL MEDIA HANDLES! Also DISCOVER and STREAM unlimited Music Live from our Website! It’s like having Original Naija Music at your finger tips!!! (And we mean that literally! Lol!!) Just check it out; UNLIMITED MUSIC is just a Click Away!!! CLICK HERE >>> https://epoh.ng


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#FreakyFriday Watch 'Burna Boy' - On The Low


Watch 'Burna Boy' - On The Low

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Thursday, April 11, 2019

#STREAM Naija MUSIC 24/7 @ https://epoh.ng


STREAM NIYOLA
>>> https://epoh.ng/artists/niyola/albums/niyola

#EpohMusic #NigerianMusic #NaijaMusic
New ALBUMS @ EPOH Music >>>The Largest and Most Comprehensive Collection of Nigerian Music Online!

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Wednesday, April 10, 2019

#CelebrityScope16 (WcW) - 'Niyola'


(WcW) - Woman Crush Wednesday! - 'Niyola'

Eniola Akinbo was born in Lagos, on December 9, 1985. The youngest of ten children, she sang in church with her siblings and was inspired to pursue a career in music after attending the Funmi Adams concert. Niyola emerged runner up in the Amen Starlet competition in 2000. She began her professional music career in 2005, and was briefly affiliated with eLDee’s Trybe Records. Following her stint at Trybe, she signed a production deal with Make Sum Noise Entertainment. Niyola’s first three singles "Me n U (In Da Club)", "No More" and "Dem Say" were released under the imprint. In 2012, Niyola signed a record deal with Empire Mates Entertainment. On May 22, 2013, she released the single "Toh Bad", her first release under the label. She’s currently working on her sophomore album.



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Tuesday, April 9, 2019

#STREAM Naija MUSIC 24/7 @ https://epoh.ng


STREAM PSYCHO EXTRA RELOADED
>>> https://epoh.ng/artists/m-kaze/albums/psycho-extra-reloaded

#EpohMusic #NigerianMusic #NaijaMusic
New ALBUMS @ EPOH Music >>>The Largest and Most Comprehensive Collection of Nigerian Music Online!

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Coming Soon!


042!!! It's The 'LifeStyle' with DeeJay Synergy, and lot's other DeeJays. GOING DOWN at The Oakland Hotel and Park (Ebeano Tunnel) Enugu >>> 28th April 2019 >>> Time 4pm. GateFee: FREE.
>>> https://epoh.ng





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Friday, April 5, 2019

Epoh Music Africa: THE BRAND.




THE BRAND >>> Epoh Music: African Music at your finger tips!
>>> The Largest and Most Comprehensive Collection of Nigerian Music Online!

>>> https://epoh.ng


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#FreakyFriday Watch 'Phyno' - Fuwa Sewa



Watch 'Phyno' - Fuwa Sewa


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Thursday, April 4, 2019

#STREAM Naija MUSIC 24/7 @ https://epoh.ng



STREAM MODE 9 ABOVE GROUND LEVEL >>>

https://epoh.ng/artists/mode-9/albums/above-ground-level-vol-1

#EpohMusic #NigeriaMusic #NaijaMusic

New ALBUMS @ EPOH Music >>>The Largest and Most Comprehensive Collection of Nigerian Music Online!


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#STREAM Naija MUSIC 24/7 @ https://epoh.ng


STREAM MAYORKUN THE MAYOR OF LAGOS >>>


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New ALBUMS @ EPOH Music >>>The Largest and Most Comprehensive Collection of Nigerian Music!


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STREAM YEMI ALADE BLACK MAGIC >>>


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New ALBUMS @ EPOH Music >>>The Largest and Most Comprehensive Collection of Nigerian Music Online!


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Wednesday, April 3, 2019

#STREAM Naija MUSIC 24/7 @ https://epoh.ng



STREAM FALZ x SIMI CHEMISTRY >>>


#EpohMusic #NigeriaMusic #NaijaMusic

New ALBUMS @ EPOH Music >>>The Largest and Most Comprehensive Collection of Nigerian Music!


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#CelebrityScope15 (WcW) - 'Simi


(WcW) - Woman Crush Wednesday! - 'Simi'.

Simisola "Simi" Ogunleye is a Nigerian singer and songwriter.[1] Simi started her career as a gospel singer, releasing her debut studio album in 2008 titled Ogaju. Her career came into spotlight in 2014 after she released "Tiff", a song which was nominated in two categories at The Headies 2015 and further brought her to mainstream recognition. Simi is currently signed to X3M Music under which she released her second studio album Simisola.

Simi was born in Ojuelegba, a suburb of Surulere, as the last of 4 children. In an interview she granted to Juliet Ebirim of Vanguard Newspaper, Simi revealed that she grew up as a tomboy before the separation of her parents when she was 9. She attended Stars International College, a secondary school in Ikorodu, Lagos State. She is an alumna of Covenant University where she studied Mass Communication.

Simi grew up dancing and singing as a member of her local church's choir until she wrote her first song at the age of 10. Her professional musical career started in 2008 following the release of her debut album titled Ogaju which consisted of a variety of songs such as "Iya Temi" and "Ara Ile" with the entire musical production from Samklef.

In January 2014, Simi released an EP titled Restless that eventually earned her a record deal with X3M Music. The EP contains a 5-track cover of popular songs by international acts like Rihanna's "Man Down" and Adele's "Set Fire to the Rain".
On January 9, 2014, Simi released two singles titled "Tiff" and "E No Go Funny", both of them receiving massive airplay and had generally positive reviews from critics. The video for "Tiff" was released on August 30, 2015 and directed by Josh Clarke. The song went on to be nominated in the "Best Alternative Song" category at the 2015 edition of The Headies.
Later in 2015, Simi won the "Most Promising Act to Watch" category at the 2015 Nigerian Entertainment Awards. In an interview with Leadership Newspaper, Simi said she is working on her second album scheduled to be released in 2016. Upon the release of a single titled "Jamb Question" which later featured Falz in the remix, Simi was listed as one of the artistes to watch out for in 2016 by NotJustOk.
On February 14, 2016, Simi released one of her most successful single to date, "Love Don't Care", an Oscar Heman-Ackah-produced love ballad which was received to positive reviews and tremendous airplay.] "Love Don't Care" effectively conveyed the discrimination in Nigerian society and Tribalism. The music video of the song was directed by Clarence Peters. In October 2016, she was nominated in the Best Breakthrough Act category at the 2016 edition of the MTV Africa Music Awards. On October 27, Simi collaborated with Falz to release Chemistry, a project Oghene Michael of 360Nobs described as an "experiment of the word art". In December 2016, Simi was nominated in three categories at The Headies 2016 award ceremony, winning one category.
In anticipation of her second studio album Simisola, a 12-track album which features only Adekunle Gold as guest artiste, Simi released two singles "Smile for Me" and "Joromi" backed with music videos which were directed by Clarence Peters and Aje Films respectively. She unveiled the album's tracklist via Instagram on September 1, 2017 before it was released on September 8 to relatively positive reviews and went on to debut at number five on the Billboard World Albums chart.
Since the release of her album, she has released for music videos off the album including "O wa nbe", "Complete me", "Gone for good" and "Aimasiko" which was a cover to a song of similar title by Ebenezer Obey with cameo appearance from him. On August 11, 2018 simi released another hit single of her style "I dun care" alongside a video for it.
Apart from singing and songwriting, Simi is also a sound engineer. She is credited to have mixed and mastered Adekunle Gold’s Gold album which was released in July 2016. Her music style is basically hinged in the rhythm and blues, soul and hip-hop genre of music.

She got married to singer, Adekunle Gold at a private wedding on January 9, 2019 after prior unconfirmed rumours about their relationship. It was later revealed that they had been dating for five years.


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Tuesday, April 2, 2019

#STREAM Naija MUSIC 24/7 @ https://epoh.ng



STREAM TIWA ONCE UPON A TIME >>>


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New ALBUMS @ EPOH Music >>>The Largest and Most Comprehensive Collection of Nigerian Music!


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#CelebrityScope14 - 'Don Jazzy'



It's Don Jazzy Again!!!

Michael Collins Ajereh, better known as Don Jazzy, is a Nigerian record producer, singer, songwriter, and entrepreneur. He co-founded the now defunct record label Mo’ Hits Records in 2004. Following the closure of the aforementioned record label, Don Jazzy set up Mavin Records on May 8, 2012. Ajereh is Isoko from Delta State. His mother is an Igbo princess from Abia state and his father was an origin of the Isoko people. He was born in Umuahia, Abia State. His family moved to Ajegunle, Lagos where Ajereh was raised. Ajereh's family moved to Ajengunle, Lagos where Ajereh was raised. He was educated at the co-educational high school, Federal Government College Lagos. Ajereh found an interest in music early in life and at age 12, began to play the bass guitar. He also gained knowledge of traditional and percussion instruments. Ajereh enrolled in business management studies at the Ambrose Ali University, Ekpoma, Edo State.
In 2000, Ajereh visited London. His uncle had invited him to play the drums for the local church. In London, Ajereh gained employment at McDonald’s as a security guard. He continued his interest in music, associating with Solek, JJC, Kas, The 419 Squad and D’Banj. Ajereh learnt producing skills from Emeka Infiniti at O-Town record company.
In 2004, Ajereh collaborated with D’Banj to form Mo’ Hits Records. In the next two years, Ajereh produced the albums No Long Thing and Rundown/Funk You Up. A third album, Curriculum Vitae, had also been started. Around this time, Ajereh developed a recognisable introduction, "It's Don Jazzy Again!"
In 2008, Ajereh was credited in the production of The Entertainer by D'Banj. He also contributed to the production of Wande Coal’s's Mushin 2 MoHits, an album that was described as one of the best albums to ever come out of Nigeria.
Although Ajereh did not take credit as a singer, he performed background vocals for artists he produced. These performances include vocals for D’Banj, Sauce Kid, Dr SID, Ikechukwu, Kween, D’Prince, Jay Z. Ajereh provided vocal performance for Kanye West's song Lift Off with Beyonce on the Watch The Throne album.
In 2011, Ajereh was employed by Kanye West as a producer at Very Good Beatz. Ajereh worked with Jay-Z and Kanye West on the production of Lift Off, featuring Beyonce on the album Watch The Throne which was released on 8 August 2011.
In March 2012, Don Jazzy and D'Banj abandoned their partnership citing artistic differences. On 7 May 2012, Ajereh announced a new record label, Mavin Records. Ajereh said, "I see Mavin Records being the power house of Music in Africa in the shortest possible time." On 8 May 2012, he released an album featuring the artists signed to his label. The songs on the album included: The hit track: Dorobucci, Amarachi, ForeverOma GaTake Banana and Chocolate, YOLO and the anthem I'm a MAVIN. Mavin records signed the vocalist, Tiwa Savage. Ajereh built a social network platform called "Marvin League" to complement and market his label.
On 5 November 2013, Ajereh had conflict with an artist, Wande Coal who left the label two days later. In September 2014, Ajereh produced a Nigerian social activist song with Reekado Banks and Di’Ja called Arise.
At the Headies Awards 2015, Ajereh argued with Olamide. The two disagreed about who should have won the "Next Rated" award. Lil Kesh of YBNL records lost to Reekado Banks, Ajereh's artist. The winner of the award received a car. Apologies on both sides were posted afterwards.


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Friday, March 29, 2019

#FreakyFriday Watch 'Olamide' - Woske (NEW VIDEO)


Watch 'Olamide' - Woske (NEW VIDEO)


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Thursday, March 28, 2019

Music@YourFingerTips!!!



YOU can now SEARCH NEW ARTISTES, VIEW OUR NEW ALBUMS, ACCESS UNLIMITED ALBUMS, SONGS, and STREAM Music Live from our Website! It’s like having Original Naija Music at your finger tips!!! (And we mean that literally! Lol!!) Just check it out; UNLIMITED MUSIC is just a Click Away!!! CLICK HERE >>> https://epoh.ng/recently-added

#EpohMusic >>> The Largest and Most Comprehensive Collection of Nigerian Music Online!


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Wednesday, March 27, 2019

#CelebrityScope13 (WcW) - 'Di'Ja'


(WcW) - Woman Crush Wednesday! - 'Di'Ja'.
Hadiza Blell, better known by her stage name Di'Ja, is a Nigerian singer and songwriter. She is currently signed to Mavin Records. In 2009, she released her first single "Rock Steady", which was nominated for Best Urban/R&B Single at the 2009 Canadian Radio Music Awards. Moreover, she won the Best New Artist award at the 2008 Beat Music Awards. 
Di'Ja has lived in NigeriaSierra Leone, the United States and Canada. Her mother is from Northern Nigeria and her father is from Sierra Leone. Di'Ja's commitment to school earned her a joint degree in Biology and Psychology. After earning the aforementioned degree, Di'Ja found passion in music, art and philosophy. 
Her music career started in 2008. In 2012, Di'Ja released several singles, including "Dan'Iska (Rudebwoy)", "Hold On (Ba Damuwa)" and "How Can We Be Friends". On February 14, 2014, Don Jazzy announced the addition of Di'Ja to Mavin Records. Her first official single under Mavin Records was also released that same day. Titled "Yaro", it is an up-tempo celebration of love and commitment against all odds. Moreover, it infuses Hausa and Krio dialects in honour of her Nigerian and Sierra Leonean roots. 
In May 2014, Di'Ja was featured on "Dorobucci" alongside label mates Don Jazzy, Dr SID, Tiwa Savage, D'Prince, Korede Bello and Reekado Banks. Di'Ja was featured on "Arise" alongside Don Jazzy and Reekado Banks. On December 15, 2017, Dija released an extended play, Aphrodija, which also features Tiwa Savage and Reekado Banks.


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