Tinubu backs AFRIMA 2025 as Nigeria prepares to host Africa’s biggest music awards in Lagos

Nigeria is set to welcome the continent’s biggest music celebration, AFRIMA 2025, following an official endorsement from President Bola Ahmed Tinubu. 

The president’s approval came after the African Union Commission reached out to Nigeria for collaboration on the next edition of the awards, prompting swift action from the federal government.

With Lagos selected as the host city, preparations are already in full swing. 

An inter-ministerial Local Organising Committee (LOC) has been established, bringing together the Ministries of Arts, Culture, Tourism and Creative Economy; Foreign Affairs; Information; Interior; Youth; Education; and Aviation. 

Key agencies such as the Nigerian Film Corporation and the National Film and Video Censors Board are also on board, alongside representatives from the AFRIMA International Committee and the African Union. 

Speaking at the inauguration of the LOC in Abuja on July 9, 2025, Minister of Arts, Culture, Tourism and Creative Economy, Hannatu Musa Musawa, expressed her enthusiasm for Nigeria’s role in delivering what she called the most spectacular AFRIMA yet. 

“This is more than just an awards show,” she said. “It is a major platform to create jobs, promote tourism, celebrate African talents, and tell our positive stories authentically through music to the world.” 

Musawa emphasized that the event is directly aligned with President Tinubu’s broader vision of using the creative sector as a strategic tool for national development and economic growth. 

Adding to the momentum, Ugochi Akudo-Nwosu, Director of Entertainment and Creative Economy, conveyed the president’s official endorsement. 

“We appreciate the administration of President Bola Ahmed Tinubu for granting Nigeria the opportunity to host this historic event,” she said, thanking the Honourable Ministers of Arts and Foreign Affairs for jointly driving the collaboration that brought AFRIMA back to Nigeria. 

AFRIMA President and Executive Producer Mike Dada also applauded the federal government’s swift response and commitment. 

“We thank President Tinubu for his quick and visionary approval and backing of AFRIMA 2025,” Dada said. 

“This is not just an event approval. It’s a loud statement that the Nigerian government values the culture and creative industry and its power to promote unity and prosperity across Africa.” 

Dada also praised Lagos State for accepting the role of host city and investing in the creative sector.

“Nigeria has always been a creative and cultural powerhouse,” he said. 

“With this support, we are confident that this year’s AFRIMA will be an unforgettable celebration of African talent and creativity for the whole world to see.” 

 The highly anticipated event will return to Nigeria after its last edition was successfully hosted in Dakar, Senegal. AFRIMA 2025 is scheduled to take place in Lagos from November 25 to 30. 

Asake reportedly left YBNL after feeling cheated by Olamide

Entertainment lawyer Yemisi Falaye has come forward with fresh revelations about why Afrobeats star Asake ended his relationship with Olamide’s YBNL Nation label. 

According to her, the singer made an emotional decision to sign a contract she had advised him against, and eventually regretted it. 

Back in December 2024, rumors swirled that Asake and Olamide had quietly gone their separate ways.

The whispers grew louder in February 2025 when Asake launched his own imprint, Giran Republic, solidifying his independence. 

While both artists maintained a respectful silence publicly, Falaye has now opened up on what allegedly led to the split. 

She claimed Asake was warned about the long-term consequences of the agreement offered to him but chose to ignore her advice. “I remember when Olamide was going to sign Asake,” she recounted.

“He was so overwhelmed that he said to Olamide, ‘I’m not going to get a lawyer to review this agreement. YBNL wants to sign me, do you know how long I’ve been waiting?’” 

Falaye said Olamide himself encouraged Asake to seek legal counsel before making any commitment.

Asake reportedly brought the contract to her, but when she raised red flags about the terms, particularly the clause that would see him assign his rights “in perpetuity,” things took a turn. 

“I advised him not to sign it,” she said. “And he looked at me and said, ‘Are you kidding me? You said what? Did they send you? You want to pour sand in my garri.’ He insulted me and called my bluff.”

Asake allegedly disregarded her concerns and signed the contract on the spot. 

According to Falaye, the deal ultimately didn’t favor him as he had expected. 

“Because if it did, he would have renewed the agreement or at least been open to reviewing the terms,” she said. “But he was so hurt, he felt cheated.”

Rema joins Drake on stage at Wireless Festival (Video)

Rema and Drake on stage at Wireless Festival 2025

Canadian superstar Drake surprised fans on the second night of his Wireless Festival headline run by bringing out Afrobeats sensation Rema for a high-energy performance. 

The Nigerian hitmaker wowed the crowd with his viral smash Ozeba, lifted from his Grammy-nominated album HEIS. 

Rema’s appearance added extra heat to an already historic weekend, marking his third time gracing the Wireless stage after standout performances in 2022 and 2024. 

But this one carried special weight, not just because of the scale of Drake’s three-day headline set, but because of what it could signal next. 

Back in 2024, a leaked folder of unreleased Drake tracks, dubbed “100 Gig” included a rumoured collaboration with Rema.

Now, with the duo finally sharing a stage, fans are convinced that a joint track is more than just speculation. 

Drake also previewed a new song with UK rapper Central Cee during the weekend, and fans are hopeful that Rema could feature on the Canadian’s upcoming project, expected to drop in 2025. 

If that happens, he’ll join Wizkid and Tems as part of the elite club of Nigerian stars to land collaborations with Drake.

See video below:

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Burna Boy backtracks on Afrobeats diss, says “I get it now"

Burna Boy apologizes for Afrobeats criticism

Grammy-winning artist Burna Boy has officially apologized for his controversial comments about Afrobeats, acknowledging that his previous views stemmed from a lack of understanding of the genre’s broader significance. 

Speaking on The Official UK Afrobeats Chart Show with Eddie Kadi, the Nigerian superstar reflected on the backlash he faced after stating in a 2023 Apple Music interview with Zane Lowe that Afrobeats “lacked substance.” 

His statement stirred major debate in the music community, with many fans and artists expressing disappointment at what they saw as a dismissal of the genre’s cultural impact. 

Now, Burna Boy has offered a more nuanced perspective, explaining that his original comment was rooted in his long-standing effort to distinguish his music as Afro-fusion.

"I described my music as Afro-fusion because it was as if there was almost no place for it at home, and I had to create my own place for it,” he said, explaining his resistance to being boxed into the Afrobeats label. 

However, with more insight into the movement behind Afrobeats, Burna admitted that his perspective has shifted.

“I didn’t understand that we needed an umbrella term for what we were doing to actually get somewhere,” he said. 

“If I understood this, I would have gone about it differently because why would I want to destroy what I am building?” 

 He continued, “I didn’t understand why everyone wanted my music to be inside one box... I totally get it now and I apologize for that confusion.” 

Burna Boy's willingness to reflect and take accountability has been met with praise, with fans appreciating the clarity and maturity in his response. 

“I apologize for the confusion,” he added, noting that he now fully supports the use of Afrobeats as a unifying banner for the global rise of Nigerian music. 

The artist, who recently dropped his eighth studio album No Sign of Weakness, featuring collaborations with Mick Jagger, Travis Scott, and Stromae, is gearing up for a major tour across North America and Europe, where he will headline several iconic venues.

Ayra Starr has officially joined Roc Nation record label

Ayra Starr signs deal with Roc Nation

Afrobeats star Ayra Starr is making international waves once again, with reports that she has officially joined Jay-Z’s Roc Nation label.

While neither the singer nor the label has publicly confirmed the deal, all signs point to the exciting new chapter.

The speculation began after Roc Nation promoted Ayra Starr’s upcoming single Hot Body on their official social media platforms, writing: “Hot Body by Ayra Starr coming soon.” 

Fans immediately noticed the endorsement and took it as a clear signal that the Nigerian star has been added to the label’s growing roster of global talent. 

Further fueling the rumours, Ayra Starr’s biography now appears on Roc Nation’s official website, listed alongside major international artists managed by the label. 

Although Ayra Starr is still signed to Don Jazzy’s Mavin Records, the partnership with Roc Nation seems to mark a significant move toward strengthening her presence on the global stage. 

The label, known for managing top-tier acts like Rihanna and J. Cole, could help amplify Ayra’s reach as her career continues to soar. 

News of the reported signing has sent fans into a frenzy online, with many celebrating the singer’s steady rise to global recognition.

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Rema marks 'HEIS' album 1st anniversary with deep confession

Rema celebrates 'HEIS' anniversary

Nigerian superstar Rema has finally pulled back the curtain on the true essence of his 2024 album HEIS, offering fans what he calls an “Author’s note” via X (formerly Twitter). 

The Calm Down hitmaker revealed that the project is deeply spiritual and symbolic, far beyond surface-level interpretations. 

“I was born in a Dragon year… HEIS needed to happen in 2024,” he wrote, hinting that the album’s timing was no coincidence. 

 Rema explained that the album was shaped by themes of ego death, spiritual awakening, and ancestral rage. 

He referenced his album and single cover art as containing hidden symbols, burning teddy bears, glowing pineal glands, mushrooms, and more, all signifying transformation, pain, and rebirth. 

His landmark O2 Arena performance also carried weight. 

“I came out signifying the strength of a woman warrior, Queen Idia,” he said, reflecting on performing in the city where the stolen artifact of her head resides. 

Calling HEIS his most personal work yet, Rema said, “No award or international gratification could fill up this gap for me… I walked with this album musically, physically, psychologically and spiritually.” 

He added that HEIS wasn’t made for mainstream success, but for his “core Ravers.” 

Despite limited rollout, no merch or vinyl, the album filled out every venue. 

“Did I crack a matrix code?” he asked. 

In closing, Rema affirmed: “HEIS did everything I wanted it to do.” 

"True Ravers did play their roles while I walked this path, it cut through deep beyond music , y’all even pulled up to the shows on ALL BLACK outfits, leather boots & raged with me. Thanks to the peters, the John’s , the Thomas’s & the Judas who betrayed the course. You were all part of this story, Now I know," he concluded.

2Baba announces new management team

2Baba dumps old management for a new one

Nigerian music legend Innocent Ujah Idibia, popularly known as 2Baba, has officially ushered in a bold new phase in his iconic career with the unveiling of a fresh management team.

In a statement released by his camp, the multi-award-winning artist confirmed that the newly assembled team is tasked with reimagining and amplifying every aspect of the 2Baba brand.

The move marks a renewed commitment not just to his rich musical legacy, but also to exploring new heights in Africa’s rapidly evolving entertainment industry.

“With a career spanning over three decades, 2Baba has redefined Afro-pop and inspired generations of musicians. His artistry, advocacy, and global appeal continue to set the standard,” the statement read.

The new management is made up of experienced professionals across music business, branding, digital innovation, and entertainment law. 

They are expected to steer his career locally and internationally, overseeing everything from music releases and creative collaborations to brand partnerships and social impact work.

Sharing his thoughts on the transition, 2Baba said, “I'm excited about this new chapter. Change is a necessary part of growth, and I believe this team understands my vision, my legacy, and where we're headed next. We're not just celebrating the past, we're creating more magic.”

Fans and stakeholders have been assured of a series of major announcements in the months ahead, including fresh projects, immersive live experiences, and campaigns that reinforce his long-standing commitment to social responsibility.

Terry G calls out Nigerians for disrespecting music legends: “We must do better"

Terry G urges Nigerians to stop disrespecting music legends

Nigerian music star Terry G has taken to social media to express his frustration with how African legends are treated, especially in Nigeria. 

In a post that has since gone viral, the singer criticised the culture of discarding artists once they’re no longer in the spotlight. 

 He wrote: "I hear people say, ‘Your time don pass!’—and it sounds like brain damage. In the West, legends are respected for life. No one calls Jay-Z or Beyoncé outdated. Their impact is honored." 

Terry G said Africans are quick to discard their own, and that same mindset is why people view their ancestors as evil while glorifying Western ancestry. 

He stressed the importance of continuously adding value in order to remain relevant, regardless of past success. 

 “If you don’t keep adding value to yourself and those around you, your worth will fade, no matter how great you once were,” he added. 

The Free Madness crooner ended by urging people to do better, saying: “We must do better.” 

His post has sparked conversations online, with many agreeing that Nigerian music legends often don’t receive the respect they deserve once the limelight fades, while others antagonised his tweet.

I hear people say, “Your time don pass!”—and it sounds like brain damage.

In the West, legends are respected for life. No one calls jayz or Beyoncé outdated. Their impact is honored.

But here in Africa, especially Nigeria, we’re quick to discard our own. That’s why we believe… pic.twitter.com/jIGJl7XTUB

— Terry G (@IamTerryg) June 25, 2025

Odumodublvck warns Blaqbonez to stop calling himself Nigeria’s best rapper

Nigerian rapper Odumodublvck has made it clear he’s had enough of Blaqbonez claiming the crown as Nigeria’s top rapper. The ongoing tension between the two artists boiled over again this week, as Odumodublvck addressed the beef head-on in a recent interview — and his words pulled no punches.

The Declan Rice hitmaker slammed Blaqbonez for what he sees as blatant disrespect to the icons of Nigerian hip-hop, urging him to quit calling himself the best when legends like M.I, Vector, and Phyno are still part of the conversation.

“Do you know what it is for you to say you are the best rapper in Nigeria?” Odumodublvck asked in an interview with Jusmen 105.7. “Stop joking. You are not the best rapper. M.I is the best rapper, Vector is the best rapper. If you were the best rapper, you would have won Best Rap Album [at the Headies]. You were not even nominated for Best Rap Single.”

He added, “I’m not better than Phyno as a rapper. Look at his legacy. There’s Olamide, Vector, M.I, Modenine, Ghost, Tec... For me to come and say I’m the best, I’d have to be the best. But if you're not, stop saying it. It’s getting on my nerves, bro. You can get smacked in the face for that kind of sh*t.”

He made it clear that while Blaqbonez is a talented artist, his self-proclaimed title doesn’t match his achievements. “Nobody is saying you’re a wack artist. You’re amazing. But stop lying to the kids that you’re the best. Nobody is even booking you for shows,” he said.

The feud took a more personal turn on social media after Blaqbonez released Who’s Really Rapping, a track with A-Q that many interpreted as a diss aimed at Odumodublvck. When Blaqbonez followed up the release with a cryptic tweet about rap being “hard” for some artists, Odumodublvck hit back with a sharp response.

“If rap hard for me, your last hit no go dey with me,” he tweeted. “I’m everything you want to be, n*gga. Your spirit is weak.”

Blaqbonez didn’t hold back either, urging Odumodublvck to drop a diss track instead of tweeting. “Enter studio and get TF out my mentions,” he wrote. “This no be Twitter warfare. And stop calling the whole industry crying about me. No be so Kendrick Lamar dey do. Hip-hop legacy.”

But Odumodublvck doubled down, saying the issue isn’t just about rap — it’s personal.

“You want to make it about studio. Na lie,” he replied. “We go meet again for street. You know the level. This is not a rap beef. Na me and you for this world.” 

LOOK AT THIS FOOL

HIP HOP ARTIST

TUFIAKWA

THIS IS WHAT YOU DO WHEN YOUR BARS CANNOT SELL YOU RECORDS

ITS SO SHAMEFUL pic.twitter.com/hB02wNtkId

— INDUSTRY MACHINE ⚙️ (@Odumodublvck_) June 23, 2025

Odumodublvck blasts music execs over unfair treatment of artists

Odumodublvck

Odumodublvck isn’t holding back. 

The outspoken rapper recently lit up social media with a scathing rant aimed directly at music industry executives, accusing them of exploiting artists and mishandling finances in the creative process. 

 Taking to X (formerly Twitter), the Declan Rice hitmaker called out record label heads for what he described as disrespectful and ill-timed financial support. 

He argued that advance payments, typically meant to help artists produce and promote albums are often sent too late to make any real difference. 

 “An advance is meant to be given several months before an album,” he wrote. 

“Not after the album or two months before. That’s exactly when it should be given.”  But the rapper didn’t stop at finances. 

He issued a strong warning to label executives, urging them to show respect to the creatives they profit from. 

“Music label executives need to get off their high horse and do right by artists, or the wrath of God will dawn on each and every one of you. You do not want to be on the side God is fighting,” he declared.

Making it clear that his outburst was coming from a place of conviction, he added, “When I get like this, nobody can hold me because I’m speaking from the standpoint of righteousness. And from that standpoint, I can never be defeated.” 

 He also took a moment to call out those he accused of stealing beats created by his team. 

“For all you niggas that remade beats my niggas made, when we see you, we see you, pussy-ass niggas,” he fired.

DJ Neptune opens up about Da Grin’s unforgettable 8-minute verse and sudden death

DJ Neptune recounts moment with late Da Grin

Renowned Nigerian DJ, Neptune, has opened up about one of the most unforgettable moments in his music career, working with the late indigenous rap legend, Da Grin. 

During a recent sit-down with Hip TV, Neptune reflected on some of the most remarkable studio sessions he’s ever had. 

Though he’s collaborated with numerous talented artists over the years, one moment stands out vividly in his memory. 

 “If there’s one artist I respect so much, it’s Da Grin,” he said. 

“When we recorded the remix of ‘123’, he delivered his verse in 8 minutes.” 

 The legendary rapper had arrived at Neptune’s studio and, without hesitation or fuss, dropped a verse that left everyone in the room in awe. 

Neptune said the efficiency and brilliance Da Grin displayed that day cemented his respect for the rapper forever. 

 Tragically, that session would be the last time Neptune saw him. 

Just two days later, Da Grin was killed in a devastating car crash, a loss that shook Nigeria’s music industry and left fans heartbroken. 

 Years on, Da Grin's impact remains deeply felt. 

His 2009 album CEO continues to be celebrated, especially for its raw storytelling and cultural relevance, amplified even more after his untimely death. 

 Neptune also shared that his path into music began at a young age, though it wasn’t an easy ride. 

He recalled going against the wishes of his father, a mechanical engineer, who was initially skeptical about his pursuit of a music career. 

Tems to headline historic FIFA Club World Cup final performance

Tems set to shine at  FIFA Club World Cup 2025

Nigerian superstar Tems is set to take center stage at the inaugural FIFA Club World Cup final halftime show, marking a major milestone for both global football and African music. 

The event, scheduled for July 13 at MetLife Stadium in New Jersey, will also feature international stars Doja Cat and J Balvin, but for many Nigerian fans, all eyes will be on Tems.

The Grammy-winning singer, known for her soulful voice and genre-blending sound, will perform as part of a groundbreaking initiative by FIFA and Global Citizen. 

Curated by Coldplay frontman Chris Martin, the show aims to support the FIFA Global Citizen Education Fund, which seeks to raise $100 million to improve access to education worldwide.

Tems expressed her excitement and pride in being part of this historic moment. 

“We’re going to bring the world together for a beautiful moment, to celebrate football, feel the unity that music brings, and improve the lives of millions of children through the FIFA Global Citizen Education Fund,” she said. “I can’t wait.”

The 2025 Club World Cup will be the first of its kind in this expanded format, hosting 32 teams across 12 venues in the United States. Powerhouses like Real Madrid, Chelsea, Bayern Munich, and Paris Saint-Germain will compete, with Manchester City entering as the reigning champions.

FIFA President Gianni Infantino hailed the halftime show as a moment where “football and music unite the world,” promising a performance that will leave a lasting legacy, not just on the pitch, but in lives around the globe.

5 Afrobeats hits rocking the charts (Jan - May 2025)

Nigerian songs that dominated early 2025

1. "Baby (Is it a Crime)" –  Rema kicked off the year with "Baby (Is it a Crime)," a smooth blend of Afrobeats and contemporary R&B that underscores his evolution as an artist. Its catchy hooks and heartfelt lyrics resonated deeply, quickly climbing both Nigerian and international charts. 

 2. "Laho" – "Laho" became an instant anthem upon its March release. Shallipopi's unique fusion of Benin City street vibes with infectious Afrobeats rhythms propelled the track to remarkable heights, making it a staple in clubs and playlists globally. 

 3. "Arike" – Emerging artist Kunmie captivated listeners with "Arike," showcasing soulful vocals over lush, rhythmic production. The song's relatable narrative of love and devotion struck a chord, earning it heavy rotation on radio and streaming platforms. 

 4. "Kai!" – Veteran stars Olamide and Wizkid teamed up for "Kai!," delivering a high-energy collaboration that celebrates the vibrant nightlife of Lagos. The track quickly ascended charts and proved their lasting influence on the Afrobeats scene. 

 5. "With You" – Davido and Omah Lay united their dynamic styles in "With You," a compelling track marked by melodic synergy and emotive lyrics. Its success underscored both artists' prominence and their knack for crafting hits that resonate across diverse audiences. 

These five tracks have set the pace for Afrobeats in 2025, further cementing the genre's global appeal and cultural significance.q3hjew

Burna Boy, Tems, and Ayra Starr shine at Met Gala 2025

Nigerian music stars at Met Gala 2025

Nigerian music stars were fully represented at the Met Gala 2025.

The event was held on May 5 at New York City’s Metropolitan Museum of Art, where stars made a significant impact, aligning with the event’s theme, “Superfine: Tailoring Black Style.”

This theme celebrated Black dandyism and the art of tailoring within Black culture, encouraging attendees to interpret menswear-inspired fashion through a personal and cultural lens.

Burna Boy, Tems, and Ayra Starr rocked the red carpet with their stylish outfits which sparked a stir on social media.

Check the outfits out below:

TEMS

BURNA BOY

AYRA STARR

Full list of winners at Headies Awards 2025

Mohbad bags two win at Headies Awards 2025

The 17th edition of The Headies Awards brought stars, style, and celebration to Lagos on April 27, 2025. 

Held at the Landmark Events Centre, the ceremony showcased the best of Nigeria’s music scene, honouring artists who have shaped the sound of the past year.

Hosted by popular Nollywood actress Nancy Isime, the event was filled with high-energy performances, moving tributes, and exciting award moments. 

It was a night where talent and creativity were on full display, cementing the importance of The Headies as a key cultural moment in the Nigerian entertainment industry.

One of the biggest highlights of the evening was Chike's Egwu, which took home two major awards — Viewers' Choice Award and Best Music Video. The late Mohbad, who was featured on Egwu, was also honoured with the Best Street-Hop Artiste award for his solo hit Ask About Me, giving fans an emotional moment of remembrance.

Superstar Rema continued his winning streak, claiming the coveted Album of the Year award for his project Heis. His impact was felt across the night, reinforcing his standing as one of Afrobeats' brightest stars.

Throughout the show, both established names and rising talents were celebrated. Odumodublvck secured the prestigious Next Rated title, while newcomer Qing Madi earned Songwriter of the Year honours. Emerging star Zerrydl was named Rookie of the Year, signalling a promising future for the next generation.

In addition to the music awards, The Headies also recognized individuals who have made significant contributions to the entertainment industry and humanitarian causes, ensuring the night celebrated excellence both on and off the stage.

The full list of winners is as follows:

• Best Recording of the Year: Tems – Burning

• Producer of the Year: London – Ozeba

• Next Rated: Odumodublvck

• Afrobeats Album of the Year: Rema – Heis

• Songwriter of the Year: Qing Madi – Vision

• Rookie of the Year: Zerrydl

• Best Rap Single: Shallipopi feat. Odumodublvck – Cast

• Best Vocal Performance (Female): Liya – I'm Done

• Music Video of the Year: Director Pink – Egwu

• Best Street-Hop Artiste: Mohbad – Ask About Me

• Afrobeats Single of the Year: Flavour – Big Baller

• Viewers’ Choice Award: Chike feat. Mohbad – Egwu

• Digital Artiste of the Year: Davido

• Song of the Year: Asake – Lonely at the Top

• Best Vocal Performance (Male): Lojay – Billions

• Best Movie Soundtrack: A Tribe Called Judah

Special Awards:

• Special Recognition: Babajide Sanwo-Olu, Alex Okosi, Amaju Pinnick, KCee

• Humanitarian Awards: Temitola Adekunle Johnson, Mitchell Mukoro

Regional Awards:

• Best East African Artiste: Juma Jux (Tanzania)

• Best Central African Artiste: Innoss'B (DRC)

Ice Prince credits MI Abaga for shaping his rap career: “He taught me well”

Ice Prince 

Nigerian rap sensation Ice Prince has opened up about the strong influence MI Abaga had on his journey into hip-hop, revealing that the veteran rapper played a major role in shaping his craft.

Speaking during an interview with content creator Isbaeu on Curiosity Made Me Ask, Ice Prince didn’t hold back in giving MI his flowers, calling him both a mentor and a big brother. 

He reflected on the early days of his career, emphasizing that the knowledge and discipline he gained under MI’s guidance became the foundation for his lyrical abilities.

“I can rap on any beat with any rapper, and I will still stand out. I’m not going to have a wack verse on a song,” he said with confidence. 

“I am not saying other rappers cannot rap, but it cannot be said that I’m wack. I was brought up by the best, shout out to MI Abaga.”

Having spent years working closely with the Crowd Mentality rapper, Ice Prince made it clear that his growth didn’t happen overnight but was built on consistent learning and mentorship.

“I rapped with him for years. He is my big brother, and he taught me well,” he added.

Spyro opens up about career struggles after working with Davido and Mayorkun

Spyro blames Davido and Mayorkun for his career setback

Nigerian Afrobeat singer Spyro has shared a deeply personal story about how a major collaboration he believed would transform his career ended up becoming a source of disappointment.

In a recent interview with HipTV, the singer reflected on his 2018 remix of the song Funke, which featured superstar Davido and hitmaker Mayorkun. 

At the time, Spyro was convinced that the high-profile collaboration would catapult him to greater heights. However, things didn’t go as expected.

“I had a song back then, that I had Davido and Mayorkun on it. I actually thought that my life was about to change,” he said. “The song came out big, and I went back down all of a sudden.”

Despite the initial buzz surrounding the release, Spyro revealed that he soon faced unexpected setbacks.

One of the most painful moments for him was losing touch with the very artists he once worked closely with.

“I sat down and thought about it because how do I go from working with Davido, vibing with Mayorkun and all those guys, and all of a sudden, they no longer even pick your calls anymore,” he shared.

The experience took a toll on him emotionally and financially, especially with the pressure of supporting his family. 

“I would just sit down on my staircase back then and cry... but I had my parents at home that I needed to take care of, and a lot of things were just going wrong,” he added.

Music producer Sarz reveals why he can't work with Davido

 

Sarz

Nigerian super-producer Sarz, known for crafting hits for some of the biggest names in Afrobeat, recently shared why a collaboration with Davido has never happened — and might never happen.

Speaking during an interview with Dotun on Cool FM, Sarz, whose real name is Osabuohien Osaretin, revealed that their creative processes are completely different.

“Davido always likes people around him whenever he’s in the studio, and for me, that’s not how I work,” Sarz explained. 

“I like to work alone with the artist. Maybe that’s why we haven’t worked.”

The hitmaker made it clear there’s no bad blood — he respects Davido’s artistry but prefers a more intimate and focused studio setting. 

That difference in style, he suggests, is likely the reason a collaboration hasn’t materialized.

Davido faces U.S. court summons over alleged song theft and unpaid $45,000 settlement

Davido accused of song theft

Nigerian superstar Davido has found himself at the center of a legal storm in the United States after four Nigerian artists accused him of stealing their original work. 

The United States District Court for the Southern District of New York has ordered the singer, whose real name is David Adeleke, to respond to the allegations within 21 days.

The lawsuit was filed by Martins Chukwuka Emmanuel, Abel Great Umaru, Kelvin Ayodele Campbell, and David Ovhioghena Umaru, who claim that Davido used material from their 2022 song Work in his 2024 release Strawberry on Ice. 

According to legal documents, the plaintiffs initially shared a demo of Work with Davido in early 2022, hoping for a potential collaboration. 

However, they allege that the demo was instead passed on to Sierra Leonean artist Emmerson, who is featured on Strawberry on Ice, and the song was allegedly sampled without their consent.

Also named in the lawsuit are Emmerson Amidu Bockarie (professionally known as Emmerson), Carlos Jenkins, Matthew Quinney, Marques Miles II, and Wynn Records — all of whom are allegedly involved in the distribution or publishing of the disputed track.

The legal complaint details a failed attempt to resolve the matter privately. In March 2025, Davido reportedly agreed to pay $45,000 to the original creators, along with 40% of the composition royalties and 20% of the sound recording rights. 

Despite this agreement, the plaintiffs claim Davido missed the payment deadline, leading to the current legal action.

As of now, Davido has not issued any public response to the summons or the allegations.

7 heartfelt Nigerian songs to celebrate Mother’s Day on Epoh Music

Mother's Day Playlist 

Mother’s Day is a time to honor the incredible women who have shaped our lives with love, sacrifice, and wisdom. What better way to express gratitude than through music? Nigerian artists have delivered some of the most heartfelt songs dedicated to mothers—songs that tell stories of struggle, triumph, and unwavering love.

Here are some of the best Mother’s Day songs to stream on Epoh Music:

1. Duduke – Simi

This soulful hit is a love letter to an unborn child, making it a special song that captures the deep bond between a mother and her child. Duduke is perfect for Mother’s Day, celebrating the joy of motherhood.

2. Sweet as a Mother's Love – Johnny Drille

Johnny Drille delivers a warm, affectionate tribute to mothers with this song, emphasizing the irreplaceable love and comfort that only a mother can provide. The heartfelt lyrics and soothing melody make it a perfect Mother’s Day dedication.

3. So Beautiful – Asa

Asa’s So Beautiful is a heartfelt tribute to her mother, celebrating her strength and grace. The song’s soulful delivery makes it perfect for a Mother’s Day dedication.

4. Oshe Mama – Ric Hassani

Ric Hassani expresses deep appreciation for mothers with Oshe Mama, a song that thanks them for their love and dedication. His smooth vocals combined with heartfelt lyrics make this a powerful tribute to all mothers.

5. Mummy Mi – Wizkid

Wizkid pours his heart out in Mummy Mi, where he celebrates his mother’s unwavering support and sacrifices. This song is a heartfelt dedication to all mothers who go the extra mile for their children.

6. Sweet Mother – Dare Art Alade

Inspired by the legendary hit Sweet Mother by Prince Nico Mbarga, Dare Art Alade’s rendition keeps the classic essence alive while adding a fresh touch. The song is a timeless tribute that expresses gratitude for a mother’s unconditional love and care.

7. Mama – Jaywon

Jaywon’s Mama is an emotional song that highlights the struggles and sacrifices mothers make for their children. With heartfelt lyrics and a soulful melody, this song is a perfect way to show appreciation on Mother’s Day.

Click here to stream for free a playlist curated to celebrate mothers.

March’s biggest Nigerian music on Epoh Music

March has been a fantastic month for Nigerian music, with fresh sounds dominating the airwaves and streaming charts. 

From heartfelt storytelling to high-energy anthems, these tracks have captured the hearts of music lovers. 

Here are the biggest Nigerian hits on Epoh Music this month:

Pity This Boy – Odumodublvck

Odumodublvck continues his reign as one of Nigeria’s most unique rap voices with Pity This Boy.

Arike – Kunmie

Arike by Kunmie is a soulful love ballad that showcases his vocal depth and songwriting skills.

Children of Africa – Seyi Vibez

Seyi Vibez delivers a powerful message in Children of Africa album.

Joy Is Coming – Fido

Fido’s Joy Is Coming is a motivational anthem filled with uplifting vibes and an infectious rhythm. The track speaks to perseverance and the belief that better days are ahead. With a fusion of Afrobeat and contemporary sounds, Fido crafts a song that not only entertains but also inspires listeners to keep pushing forward.

These songs have set the tone for 2025, bringing a mix of powerful messages, love-filled melodies, and energetic rhythms. 

As Nigerian music continues to evolve, Epoh Music remains the go-to platform for discovering the hottest tracks shaping the industry. Stay tuned for more bangers in the coming months.

Reekado Banks hints at a powerful figure stifling young talents in the Nigerian entertainment industry

Reekado Banks 

Nigerian singer Reekado Banks has sparked intense speculation on social media following a cryptic tweet in which he accused an unnamed individual within the entertainment industry of either being "clueless" or "demonic" in handling budding talents.

In his post, the former Mavin Records artist expressed frustration over how some of the industry's brightest stars find themselves under the influence of this figure, only to experience setbacks in their careers. 

According to him, this individual either unknowingly agrees to counterproductive policies or deliberately frustrates young artists, ultimately pushing some out of the industry.

"One day, I’ll take an interview to talk about someone in the corners of the entertainment industry, who’s either absolutely CLUELESS or plain DEMONIC."

"Somehow, the brightest budding talents fall in their lap and either through cluelessness or pure demonic activities, they agree to policies that effectively slow these talents down and for some other talents, frustrate them out of pursuing their dreams. One day…," he wrote.

As speculations swirled about the identity of the individual he was referring to, some social media users suggested it might be Don Jazzy, the Mavin Records boss who once mentored Reekado Banks. 

However, the singer was quick to dismiss those claims, clarifying that he was not talking about Don Jazzy.

"It may not be obvious to you all, but I’m definitely not referring to Baba J 🥴. Ejo lol, pls n thanks. That said, oloriburuku gbaaaa, ni Eni to mo n so yi!" he wrote, using Yoruba slang to insult the person he was addressing.

Rema, Ayra Starr, Mercy Chinwo, others win big at Trace Awards 2025

Rema wins big at Trace Awards 2025

Nigerian artists made a remarkable impact at the 2025 Trace Awards, securing multiple prestigious accolades. 

The event was held on Wednesday, February 26, 2025, at the Mora Resort in Zanzibar, Tanzania, celebrating the 20th anniversary of Trace TV.

Rema stood out by clinching two major awards: Album of the Year for Heis and Best Male Artist.

Gospel sensation Mercy Chinwo was honored as Best Gospel Artist, while Ayra Starr received the Best Female Artist award. 

In addition to these individual achievements, Nigerian artists collectively secured a total of six awards at the ceremony, underscoring the country's significant influence in the African music scene.

The 2025 Trace Awards highlighted the diverse musical talents across the continent, with other notable winners including South African duo Titom & Yuppe, who won Song of the Year for "Tshwala Bam," and artists like Josey, Makhadzi, Bien, Kenny Haiti, and Chelsea Dinorath, who were recognized in categories such as Best Francophone Artist, Best Dancer, Best East African Artist, Best Caribbean Artist, and Best Lusophone African Artist, respectively.

Check out the Full List of Trace Awards' winners below:

Song of the Year

• Titom & Yuppe – ‘Tshwala Bam’ (South Africa)
• Tyla – ‘Jump’ (South Africa)
• Tyler ICU – ‘Mnike’ (South Africa)
• Tamsir x Team Paiya – ‘Coup du Marteau’ (Ivory Coast)
• Asake & Travis Scott – ‘Active’ (Nigeria)
• Tems – ‘Love Me Jeje’ (Nigeria)
• Burna Boy – ‘Higher’ (Nigeria)
• Rema & Shallipopi – ‘Benin Boys’ (Nigeria)
• Diamond Platnumz – ‘Komasawa’ (Tanzania)

Album of the Year

• Rema – Heis (Nigeria)
• Burna Boy – I Told Them (Nigeria)
• Asake – Lungu Boy (Nigeria)
• Josey – Vibration Universelle (Ivory Coast)
• Amaarae – Fountain Baby (Ghana)
• King Promise – True To Self (Ghana)
• Stonebwoy – 5th Dimension (Ghana)
• Toofan – Stamina (Togo)

Best Collaboration

• Tamsir & Team Paiya – ‘Coup du Marteau’ (Ivory Coast)
• Titom & Yuppe & Burna Boy – ‘Tshwala Bam’ (Remix) (South Africa/Nigeria)
• Neyna & MC Acondize – ‘Nu Ka Sta Para’ (Cape Verde)
• Kocee ft. Patoranking – ‘Credit Alert’ (Cameroon/Nigeria)
• Asake & Wizkid – ‘MMS’ (Nigeria)
• Rema & Shallipopi – ‘Benin Boys’ (Nigeria)
• Odumodublvck & Black Sherif – ‘Woto Woto Seasoning’ (Ghana)

Best Music Video

• Meji Alabi – Rema ‘DND’ (Nigeria)
• TG Omori – Kizz Daniel & Davido ‘Twe Twe’ (Nigeria)
• Director Folex – Zuchu feat Innoss’ B ‘Nani’ (Remix) (Tanzania/DRC)
• Nabil Elderkin – Tyla ‘Jump’ (South Africa)
• Kmane – Ayra Starr ‘Commas’ (Nigeria)
• Seoute Emmanuel – Toofan ‘C Pas Normal’ (Togo)
• Ach’B – Innoss’ B ‘Sete’ (DRC)
• Edgar Esteves – Asake & Wizkid ‘MMS’ (Nigeria)

Best Dancer

• Makhadzi (South Africa)
• Ikorodu Boys (Nigeria)
• Dancegod Lloyd (Ghana)
• Incredible Zigi (Ghana)
• Kamo Mphela (South Africa)
• Telminho (Angola)
• Ordinateur (Ivory Coast)
• Issac Kalonji (Democratic Republic of Congo)

Best DJ

• DJ Moh Green – ‘Kelele’ (Algeria)
• Tyler ICU – ‘Mnike’ (South Africa)
• Uncle Waffles – ‘Wadibusa’ (South Africa)
• DJ Tunez – ‘Apala Disco Remix’ (Nigeria)
• DJ Nelasta – ‘Eros’ (Angola)
• DJ Spinall ft. Tyla & Omah Lay – ‘One Call’ (Nigeria)
• DJ Neptune ft. Qing Madi – ‘Honest’ (Nigeria)
• DJ Maphorisa – ‘Mnike’ (South Africa)
• Kabza De Small – ‘Imithandazo’ (South Africa)

Best Hip Hop Artist (sponsored by Hot 97)

• Didi B (Ivory Coast)
• Nasty C (South Africa)
• Odumodublvck (Nigeria)
• Suspect 95 (Ivory Coast)
• Sarkodie (Ghana)
• Young Lunya (Tanzania)
• Maglera Doe Boy (South Africa)

Pan-African Awards

Best Global African Artist

• Diamond Platnumz (Tanzania)
• Tyla (South Africa)
• Tyler ICU (South Africa)
• Fally Ipupa (Democratic Republic of Congo)
• Burna Boy (Nigeria)
• Asake (Nigeria/USA)
• Rema (Nigeria)
• Ayra Starr (Nigeria)

Best Male Artist

• Rema (Nigeria)
• Dlala Thukzin (South Africa)
• Fally Ipupa (Democratic Republic of Congo)
• Diamond Platnumz (Tanzania)
• Asake (Nigeria)
• Burna Boy (Nigeria)
• Wizkid (Nigeria)
• Stonebwoy (Ghana)

Best Female Artist

• Tyla (South Africa)
• Makhadzi (South Africa)
• Chelsea Dinorath (Angola)
• Josey (Ivory Coast)
• Ayra Starr (Nigeria)
• Tems (Nigeria)
• Yemi Alade (Nigeria)

Best Live Performance

• Fally Ipupa (DRC)
• Ayra Starr – 21: The World Tour (Nigeria)
• Burna Boy – I Told Them (Nigeria)
• Tyla (South Africa)
• Yemi Alade – African Rebel Tour (Nigeria)
• Didi B – Mojo Trone Tour (Ivory Coast)
• Diamond Platnumz – Wasafi Festival (Tanzania)

Best Producer

• P.Priime – ‘MMS’ (Nigeria)
• Kelvin Momo – ‘Sewe’ (South Africa)
• DJ Maphorisa – ‘Mnike’ (South Africa)
• Tam Sir – ‘Coup du Marteau’ (Ivory Coast)
• Sarz – ‘Happiness’ (Nigeria)
• Jae 5 – ‘Perfect Combi’ (Ghana)
• KDDO – ‘For Certain’ (Party Next Door) (Nigeria)
• London – ‘Ozeba’ (Nigeria)
• Kabza De Small – ‘Imithandazo’ (South Africa)

Best Gospel Artist

• Mercy Chinwo (Nigeria)
• Spirit of Praise 10 (South Africa)
• KS Bloom (Ivory Coast)
• Ada Ehi (Nigeria)
• Bella Kombo (Tanzania)
• Israël Mbonyi (Rwanda)

REGIONAL AWARDS

Best Artist Eastern Africa

• Bien (Kenya)
• Diamond Platnumz (Tanzania)
• Joshua Baraka (Uganda)
• Harmonize (Tanzania)
• Rophnan (Ethiopia)
• Marioo (Tanzania)
• Zuchu (Tanzania)
• Nandy (Tanzania)

Best Artist (Western Africa Anglophone)

• Ayra Starr (Nigeria)
• Seyi Vibez (Nigeria)
• Adekunle Gold (Nigeria)
• Tems (Nigeria)
• Chike (Nigeria)
• Simi (Nigeria)
• KiDi (Ghana)

Best Artist (Southern Africa)

• Tyler ICU (South Africa)
• Titom & Yuppe (South Africa)
• De Mthuda (South Africa)
• Inkabi Zezwe (South Africa)
• Dlala Thukzin (South Africa)
• Tyla (South Africa)
• Uncle Waffles (South Africa)

Best Artist Francophone Africa

• Josey (Ivory Coast)
• Didi B (Ivory Coast)
• Tidiane Mario (Congo)
• Gaz Mawete (Democratic Republic of Congo)
• Wally B. Seck (Senegal)
• PhillBill (Cameroon)

Best Artist (Lusophone Africa)

• Chelsea Dinorath (Angola)
• Calema (São Tomé and Príncipe)
• Landrick (Angola)
• Twenty Fingers (Mozambique)
• Mr. Bow (Mozambique)
• Soraia Ramos (Cape Verde)

Best Artist (Tanzania)

• Nandy (Tanzania)
• Mbosso (Zanzibar)
• Diamond Platnumz (Tanzania)
• Zuchu (Zanzibar)
• Marioo (Tanzania)
• Alikiba (Tanzania)
• Jux (Tanzania)
• Harmonize (Tanzania)

International and Diaspora Awards

Best Artist (Europe)

• Joe Dwet File (France/Haiti)
• Central Cee (United Kingdom)
• Kalash (France/Martinique)
• Darkoo (United Kingdom)
• Jungeli (France)
• Franglish (France)
• Aya Nakamura (France/Mali)

Best Artist (Brazil)

• Duquesa (Brazil)
• Racionais MC’s (Brazil)
• MC IG (Brazil)
• Péricles (Brazil)
• Tasha & Tracie (Brazil)
• Ludmilla (Brazil)

Best Artist (Caribbean)

• Lea Churro (Reunion Island) 
• Venssy (French Guiana)
• Mathieu White (Guadeloupe)
• Meryl (Martinique)
• Nesly (French Guiana)
• Shenseea (Jamaica)
• Kenny Haiti (Haiti)

Best Artist (Indian Ocean)

• Barth (Reunion)
• Goulam (Comoros)
• PLL (Reunion)
• Kalipsxau (Reunion)
• Léa Churros (Reunion)
• Jamily Jeanne (Mauritius)

Lifetime Achievement Award

• D’Banj